A strange character looks for metals at the beach.

After his death, a wife is given the keys to a recent apartment her husband had kept in an unexpected part of town along with a vague presentation of what it had been used for. As she reflects on this part of the man she thought she knew, she finds connection in continuing in the custom of what he'd started.

Alex Brooker takes some of his celeb mates round the country to have a go at some of Britain's favourite pastimes

Hobby Mania is a half-hour magazine format television program featuring real people and their favorite hobbies. The first show was hosted from the world-famous Hard Rock Cafe at Universal Studios Florida. Segments included radio-controlled jets, the Orlando Magic magicians, jet-skiing, in-line skating, and more.

A high school student faces a moral dilemma, should he turn in a friend who is dealing pills.

Hot metal is a London Weekend Television sitcom about the British Newspaper industry broadcast between 1986 and 1988.The daily crucible, the dullest newspaper in Fleet Street, is suddenly taken over by media magnate Terence "Twiggy" Rathbone. Its editor Harry Stringer is 'promoted' to managing editor, and is replaced in his old job by Russell Spam. Spam then takes the paper shooting downmarket and turns the crucible into a sensation seeking scandal rag, very much in the style of the British tabloids of the 1980s. He is helped along by his ace gutter journalist, Greg Kettle, who intimidates his tabloid victims by claiming to be "a representative of Her Majesty's press" and produces stories such as accusing a vicar of being a werewolf. Throughout the first series, a running plot involved cub reporter Bill Tytla gradually uncovering an actual newsworthy story that went to the very heart of government.Written by David Renwick and Andrew Marshall, it is very much a continuation in style from their previous sitcom Whoops Apocalypse!. It was produced by Humphrey Barclay.

The misadventures of Dr. Magnus's team of stumblebum robot superheroes.

After a career spent mining his music from the shadows, one fan creates a chain reaction for the lead singer of a black metal band.

Twin sisters Emma and Chantal couldn't be more unalike. When their parents leave them alone for the summer, their simmering sibling rivalry threatens to boil over and change their relationship and lives forever.

A bizarre sci-fi rock opera like little else being produced under the banner of Canadian film at the time, Metal Messiah is about an enigmatic metallic-skinned stranger trying to stop society's self-destructive obsession with rock and roll. Anchored in Toronto's live music scene if the late 1970s, this dystopian parable was the feature film debut of local music impresario and director Tibor Takács. Working with screenwriter Stephen Zoller, Takács' film is a crudely crafted, episodic work that plays out like a glam version of Amos Poe's avant-punk NYC flick The Foreigner (1978), but with even more ambition, attempting to scale to the bombastic rock opera heights of films like Phantom of the Paradise (1974) and Tommy (1975). (from: http://www.canuxploitation.com/review/metalmessiah.html)